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The
submitted work, entitled "Guns & Poses" is a recent series, which
takes form in a series of flowers constructed from porn magazines
and gun catalogs. Each flower ranges between 26" to 32" in height.
These pieces build on a concept: reclaiming intimacy from pornography
and violence. In deriving pleasure from pornography, one generally
consumes the image without ties to its reality. Airbrushed Ms.
December would not have the same appeal if one took into account
she has two kids and is putting herself through night school.
Likewise, in the admiration of guns, one venerates the craft and
power of the firearm without considering its full implicationsthe
aggressive nature of a mechanism designed to fire. When out on
a shooting range enjoying the marksmanship of target practice,
one tends to overlook the manner in which guns have changed the
face of war or affected inner city mortality rates.
The seductiveness of pornography and firearms is based in illusion,
where one is free to enjoy only when partial variables are considered
and not the whole. By constructing flowers (a form intrinsically
feminine in nature) out of pornography and guns, I am repairing
perceptions that are skewed. The images appear far more violent
when juxtaposed against the curves of a flower than they did between
the pages of the magazinesthereby reclaiming a foothold
in truth. In calling attention to themselves, the images reestablish
intimacy with the viewer.
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